LOUIS FATTA

RIVERSIDE/DRIVE

Louis Fatta — Thu, 22 May 2025 23:49:53 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands a reconciliation between nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony rather than dominance. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

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Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

VINELANDS

Louis Fatta — Thu, 22 May 2025 16:12:55 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands in accord with nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

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HyperMedia Browser/Editor An exercise in global information availability
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Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

AMITY/WARWICK

Louis Fatta — Thu, 22 May 2025 15:43:51 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands in accord with nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

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HyperMedia Browser/Editor An exercise in global information availability
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Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

VINELAND/POSTWAR/TOTEM

Louis Fatta — Thu, 22 May 2025 13:02:15 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands in accord with nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

Gallery Viewer

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

CARRION/CAR

Louis Fatta — Thu, 22 May 2025 08:31:39 +0000

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by Louis Fatta
[Statement] Print: Carrion Crow explores the varied relationships arrived by the path and stream of the movements of cars in its space. – Louis Fatta

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Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TOTEMOBILE/95

Louis Fatta — Wed, 21 May 2025 17:48:25 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands a reconciliation between nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony rather than dominance. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

Gallery Viewer

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HyperMedia Browser/Editor An exercise in global information availability
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Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TOTEMOBILE I

Louis Fatta — Wed, 21 May 2025 17:32:24 +0000

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by Louis Fatta
[Statement] Print: Totemobile II (2003) Painted steel and concrete, A slightly twisted balance of silhouetted forms, Totemobile II layers contemporary car profiles in a vertical hierarchy. Each vehicle is cut from a single steel sheet, their positions and orientations creating rhythmic negative spaces that wave and shift as the viewer moves. The sculpture captures the tension between order and chaos in modern mobility—motion suspended in steel. – Louis Fatta

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Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TANK/COLUMN

Louis Fatta — Wed, 21 May 2025 14:04:46 +0000

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by Louis Fatta
[Statement] Print: Tank Column (2003) Painted steel and concrete, 36 x 6 x 6 inches plays with the halted production of domestic vehicles in favor of wartime manufacturing. Following the industrial pivot following World War III, Tank Column stands as a stark reminder of how national priorities can reshape an entire industry—where civilian utility gives way to military necessity. Its archaic rigid, columnar form, evokes both factory production and a quiet remembrance amid the topped raven perch. – Louis Fatta

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Postwar Tank/Column: Painted Steel. 36″•24″•24″:5.5k.
Art@louisfatta.com

CATHEDRAL/ST

Louis Fatta — Mon, 19 May 2025 01:24:35 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands in accord with nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

Gallery Viewer

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

ANT/COLUMNY/II

Louis Fatta — Sun, 18 May 2025 22:26:15 +0000

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by Louis Fatta
[Statement] Print: I work in steel using a variety of welding techniques, mainly oxy-acetylene for cutting and welding. I cut silhouetted shapes of cars, crows, ravens, songbirds, ants, and city skylines, along with images of vines and weeds that mingle to show a relationship between them. My work involves the automobile and the impact it has had on nature, our landscape, as well as our individual and collective lives. I work to represent these shapes as archetypes and totems to tell the story of the evolution of the automobile, their run on the landscape, and their final atonement with nature through their own deterioration. – Louis Fatta

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