Louis Fatta | LOUIS FATTA

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Louis Fatta — Wed, 11 Jun 2025 16:23:02 +0000

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by Louis Fatta
[Statement] Print: Postwar Totemobile: Cut from a single sheet of mounted steel, stands in the round between nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage. Reflective of the natural forms around it – Louis Fatta

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HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TOTEMOBILE

Louis Fatta — Tue, 10 Jun 2025 17:48:25 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands a reconciliation between nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony rather than dominance. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

FATTA WARWICK

Louis Fatta — Sun, 08 Jun 2025 15:43:51 +0000

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by Louis Fatta
[Statement] Print: Crash St. Cathedral; Cut from a single sheet of steel, in proximity with nature and the constructed environment blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage. Reflective of the natural forms around it, its three hinged panels echo altar spaces and historical themes and forms. Opening space from its rigid hinged creates an unfolding of images in space and form. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global sculptural launderability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

ALTAR WHITE

Louis Fatta — Tue, 03 Jun 2025 17:48:24 +0000

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HyperMedia Browser/Fatta Louis Fatta SCJ PTG information availability
by Louis Fatta
[Statement] Print: Alter White; Cut from a single sheet of steel, in proximity with nature and the constructed environment blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage. Reflective of the natural forms around it, its three hinged panels echo altar spaces and historical themes and forms. Opening space from its rigid hinged creates an unfolding of images in space and form. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global sculptural launderability
Version 1.0 Alpha Only by Louis Fatta sci
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Alter White: Painted Steel. 24″•24″•6″:5.2k.
Art@louisfatta.com

ALTAR GUILD

Louis Fatta — Mon, 02 Jun 2025 14:21:54 +0000

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HyperMedia Browser/Fatta Louis Fatta SCJ PTG information availability
by Louis Fatta
[Statement] Print: Postwar Totemobile: Cut from a single sheet of mounted steel, stands in the round between nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage. Reflective of the natural forms around it – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

ROADSIDE ALTAR

Louis Fatta — Sun, 01 Jun 2025 13:56:44 +0000

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by Louis Fatta
[Statement] Print: Alter White; Cut from a single sheet of steel, in proximity with nature and the constructed environment blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage. Reflective of the natural forms around it, its three hinged panels echo altar spaces and historical themes and forms. Opening space from its rigid hinged creates an unfolding of images in space and form. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global sculptural launderability
Version 1.0 Alpha Only by Louis Fatta sci
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Alter White: Painted Steel. 24″•24″•6″:5.2k.
Art@louisfatta.com

VINELAND/POSTWAR/TOTEM

Louis Fatta — Fri, 30 May 2025 13:02:15 +0000

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by Louis Fatta
[Statement] Print: Crash Saint Cathedral, cut from a single sheet of steel, stands in accord with nature and the constructed environment. The sculpture blends urban materials—steel, structure, and negative space—with the organic presence of surrounding foliage, striving for harmony. Reflective of the natural forms around it, its three hinged panels echo traditional altarpiece form, opening from it’s rigid hinged creating an unfolding of images in space and form. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

CARRION/CAR

Louis Fatta — Thu, 22 May 2025 08:31:39 +0000

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by Louis Fatta
[Statement] Print: Carrion Crow explores the varied relationships arrived by the path and stream of the movements of cars in its space. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TOTEMOBILE I

Louis Fatta — Wed, 21 May 2025 17:32:24 +0000

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by Louis Fatta
[Statement] Print: Totemobile II (2003) Painted steel and concrete, A slightly twisted balance of silhouetted forms, Totemobile II layers contemporary car profiles in a vertical hierarchy. Each vehicle is cut from a single steel sheet, their positions and orientations creating rhythmic negative spaces that wave and shift as the viewer moves. The sculpture captures the tension between order and chaos in modern mobility—motion suspended in steel. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Totemoblie: Painted Steel. 72″•24″•24″:8.5k.
Art@louisfatta.com

TANK/COLUMN

Louis Fatta — Wed, 21 May 2025 14:04:46 +0000

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by Louis Fatta
[Statement] Print: Tank Column (2003) Painted steel and concrete, 36 x 6 x 6 inches plays with the halted production of domestic vehicles in favor of wartime manufacturing. Following the industrial pivot following World War III, Tank Column stands as a stark reminder of how national priorities can reshape an entire industry—where civilian utility gives way to military necessity. Its archaic rigid, columnar form, evokes both factory production and a quiet remembrance amid the topped raven perch. – Louis Fatta

Info ✖
HyperMedia Browser/Editor An exercise in global information availability
Version 1.0 Alpha Only by Louis Fatta
Copyright 2025 Distribution restricted: ask for terms. TEST VERSION ONLY
Postwar Tank/Column: Painted Steel. 36″•24″•24″:5.5k.
Art@louisfatta.com